Scout Paré-Phillips : Heed the Call LP

Scout Paré-Phillips’ recent recognition as a young and talented visual artist based in Brooklyn, NY –  as displayed in her accomplished portfolios –  shows only a small portal into the creative road that Scout has chosen to go down. Scout’s musical foray started with the Baltimore based post-punk/country act, The Sterling Sisters. Within the Sisters, her skills as one-half of the primary songwriting force, coupled with her varied instrumentation and balladeer vocal projections made way for Scout to step aside and embark on her own solo performances and creative endeavors.

Scout’s operatically trained soprano voice combined with her seemingly effortless proficiency with instruments such as the autoharp and baritone guitar create her own unique hybrid of old time folk storytelling and modern illusionary contrast. Influenced by acoustic legends such as Sibylle Baierand Leonard Cohen, the vocal conviction of Roy Orbison, and still holding poetic court with players like Rowland S. Howard, Nick Cave and Diamanda Galas, Scout Paré-Phillips’songwriting lands in the middle of some very intriguing yet complex influences.

Recently, Scout’s talents have been noticed by Jack White (The White Stripes / Third Man). She was asked to accompany him on Lazaretto and even star in White’s new video, Would You Fight For My Love?. Her recent autobiographical songs have been collected into her debut album entitled “Heed the Call” to be released on Dais Records on February 24, 2015.

Crashing crescendos of guitar, percussively strummed autoharp and an array of both acoustic and electronic sculptures by Scout Paré-Phillips with accompaniment by Scout’s beloved musical collaborator, Emil Bognar-Nasdor (Dawn of Humans, Røsenkopf), populate her LP.  Scout’s torch songs of pure, raw emotional outpouring compliment the rich timbre of her trained voice, which breathes a new life into the contemporary idea of a “folk singer”. Her narrative about two lovers being torn apart and brought back together over many years has formed a new genre within acoustic music’s storytelling tradition.

Deviation Social : Practices / Demo. June-Oct. 81 LP

During the summer of 1981, a young Art Injeyan attended the now infamous “final transmission” of Throbbing Gristle in San Francisco’s Kezar Pavillion. This concert experience forever changed the fabric of bay area experimental music and sent a sonic riptide through artists such as Injeyan to form their own experimental projects. After this seed had been planted, Injeyan started pulling together a crude, loose arrangement of musical equipment and creating pulsating industrial drones and noise rhythms under his newly coined masthead Deviation Social.  Starting in June and wrapping up in October of 1981, Deviation Social had composed his first demo comprised of individual staged practices in his home. To release his demo and later audio / visual works , he founded his own label, Ppresense Records, to release all matters connected to Deviation Social. This demo was only distributed to a select few and limited to a hand-numbered edition of 25 cassettes in late 1981, now making it one of the more rare and sought after early industrial documents.

Dais is proud to reissue this demo in a vinyl format in a limited edition of 250 copies.  Hand stamped, numbered and assembled to give homage to the original release and to celebrate the release series between Dais Records and Deviation Social.